The ao dai (Vietnamese: áo dài) is a Vietnamese national costume, now most commonly for women. In its current form, it is a tight-fitting silk tunic worn over pantaloons. The word is pronounced ow-zye in the north and ow-yai in the south, and translates as 'long dress'. The name áo dài was originally applied to the dress worn at the court of the Nguyn Lords at Hu in the 18th century. This outfit evolved into the áo ngu thn, a five-paneled aristocratic gown worn in the 19th and early 20th centuries. Inspired by Paris fashions, Nguyn Cát Tung and other artists associated with Hanoi University redesigned the ngu thn as a modern dress in the 1920s and 1930s. The updated look was promoted by the artists and magazines of T Lc van doàn (Self-Reliant Literary Group) as a national costume for the modern era. In the 1950s, Saigon designers tightened the fit to produce the version worn by Vietnamese women today. The dress was extremely popular in South Vietnam in the 1960s and early 1970s

The ao dai (Vietnamese: áo dài) is a Vietnamese national costume, now most commonly for women. In its current form, it is a tight-fitting silk tunic worn over pantaloons. The word is pronounced ow-zye in the north and ow-yai in the south, and translates as 'long dress'. The name áo dài was originally applied to the dress worn at the court of the Nguyn Lords at Hu in the 18th century. This outfit evolved into the áo ngu thn, a five-paneled aristocratic gown worn in the 19th and early 20th centuries. Inspired by Paris fashions, Nguyn Cát Tung and other artists associated with Hanoi University redesigned the ngu thn as a modern dress in the 1920s and 1930s. The updated look was promoted by the artists and magazines of T Lc van doàn (Self-Reliant Literary Group) as a national costume for the modern era. In the 1950s, Saigon designers tightened the fit to produce the version worn by Vietnamese women today. The dress was extremely popular in South Vietnam in the 1960s and early 1970s
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